Argie Bandoy’s Subterranean Pest Control Program, featuring new works in oil, acrylic, and beeswax, sounds like and looks like an intricate study into man’s resolve to re-establish order amid escalating degradation. Bandoy seems to thrive in the chaotic world of random colors, lines, and forms, which he spontaneously uses to compose abstracted images that reflect his free-spirited attitude toward the process of painting and the society to which he belongs.
